An academic writer and creator of nonfiction, fan of classic literature and genre fiction alike, and her reflections on writing, culture (high, pop, and other), life (her own), and the gift of second chances.
Syrie James: The Secret Diaries of Charlotte Bronte
In progress
Melanie Milburne: The Fiorenza Forced Marriage (Harlequin Presents)
Penny Jordan: Captive At The Sicilian Billionaire's Command (Harlequin Presents)
Cormac McCarthy: The Road
(****)
Penny Jordan: The Sicilian's Baby Bargain (Harlequin Presents)
Sarah Waters: Affinity
(****)
Carol Bly: Beyond the Writers' Workshop: New Ways to Write Creative Nonfiction
In progress
Kim Lawrence: The Italian's Ruthless Marriage Bargain (Harlequin Presents)
Charles Dickens: Hard Times
(****)
Sarah Waters: Fingersmith
(****)
An academic writer and creator of nonfiction, fan of classic literature and genre fiction alike, and her reflections on writing, culture (high, pop, and other), life (her own), and the gift of second chances.
By HD Silversmith
It's official: June's article is winging its way to a prospective publisher, and there's nothing more I can do on its behalf, as simultaneous submissions to multiple journals is Just Not Done in the academic world. While it took me a few days longer to finish than I had anticipated, I still met my goal of getting it out the door before mid-July. That's what matters.
Sigh of relief.
Now?
Well, now I have a kind of writing hiatus for the next two weeks. Or at least, I won't be working on an article or book chapter. No, for the next two weeks -- from July 13-25 -- I'll be traveling, mostly to participate in the Salzburg Global Seminar on globalization in Austria from July 17-24. It's an honor to have been chosen by my university as one of its participants in this year's program, and if it weren't for the butterflies in my stomach, I'd be entirely looking forward to it. But I know the butterflies will settle once I'm there (that's my hope, anyway), and then I'll enjoy myself. I must say it looks as if the organizers of the week have given us a busy schedule of panels, discussions, and work sessions, though!
I fly into and out of Munich, however, because it's cheaper than flying into Salzburg. I'm staying there a couple of days in advance of the seminar so that I don't show up jet-lagged on the first day. Though I've been to Germany before, I've never been to Munich and my German is minimal at best. However, I expect I'll be able to muddle through, and I'm staying in the old, largely pedestrian part of the city (the Altstadt) at either end of the Salzburg gig so that I'll be centrally located and able to navigate on foot. I'm at one hotel before I head to Salzburg and a different hotel when I'm in Munich my final night at the end before heading home, but both are in the same section of the city.
I'm taking my ever-so-portable-and-cute (pink) Acer Aspire One netbook with me on this trip. I bought it several months ago precisely for this purpose and for any future work-related travel I might do during which I might need access to a computer, my electronic files, or the Internet. It's very lightweight, it literally fits in my purse, and its keyboard is almost (but not quite) full-size. I do expect to be writing while I'm away, both professionally and on my own creative non-fiction, but I'm not sure how much actual blogging I'll be able to do: as I said, the schedule they've mapped out for us at the seminar is a busy one, and then, too, the wireless access at the Schloss Leopoldskron and Meierhof, where we'll be staying, is iffy in the individual rooms (damn those 18th c. castles!).
However, I've pre-scheduled posts for each day of my trip, beginning Monday, indicating where I am and what I'll be doing. If it's also feasible to update as I go along, I will, and I may also give Twittering a try (there's a Twitter feed in this blog's sidebar).
Wish me luck!
From WebGURU :: Submit Article to Journal:
The sample provided is a tad sterile, in my view, but then, I write from a humanities and arts perspective, and I think there's a little more freedom there to write more compellingly about the article one has enclosed.
Can you tell that writing the cover letter and then sending this puppy out is my task for the morning?
As I do a final polish on the article I wrote last month before sending it out tomorrow in search of a home in a peer-reviewed journal, I'm fighting my old perfectionist tendencies -- this despite yesterday's positive feedback from a senior colleague.
Yup, those monkey voices that Anne Lamott writes about were chattering in my head. "It's not good enough ... I need to fix X, Y, and Z ... it can't go out the door until I've addressed Issue Q in more detail."
So I spent a few minutes trawling the internet for some encouragement, and fortunately, it wasn't difficult to find. Click on the link below for a good piece on perfectionism by James J Messina, Ph.,D., a licensed psychologist. The bit I've quoted beneath it speaks eloquently to perfectionism's high costs, and the article as a whole contains some useful ways of reframing one's own negative thoughts.
Overcoming Perfectionism | LIVESTRONG.COM.
So, back to those thoughts I had this morning ("It's not good enough ... I need to fix X, Y, and Z ... it can't go out the door until I've addressed Issue Q in more detail").
You know what my response is now, after reading this piece on perfectionism? "Yes, it is; no, I don't; and yes, it can."
My senior colleague got back to me this afternoon with generous feedback on my article:
For the record, I think she's been over-generous, but both she and I know that what matters is a) my having finished the damn thing; b) now getting it into print in a peer-reviewed journal. That's the reality on this publish-or-perish path to tenure. Anything else -- like having something worthwhile to say, saying something you believe, saying it well -- is gravy.
However, it's good to know that someone whose opinion I respect finds it acceptable.
Now to find a journal editor who does as well. ;)
One of the things that Anne Lamott writes so well about in Bird by Bird is the inner noise that sometimes confronts us when we sit down to write. Often we're our own worst enemies when it comes to getting focused:
"You try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind ... There may be a Nurse Ratched -- like listings of things that must be done right this moment: foods that must come out of the freezer, appointments that must be canceled or made, hairs that must be tweezed. But you hold an imaginary gun to your head and make yourself stay at your desk."
I've certainly got my own Nurse Ratched striding around in my head, and sometimes her voice is very loud, indeed. But what do we do about those voices if we can't shut them up? How do we hold that metaphoric gun to our heads?
The way I look at it is, these inner voices want to be heard.
Sometimes they're whispering to us about our deepest fears and insecurities about writing, and sometimes they're masquerading as reminders about what we really ought to be doing instead. Either way, like all voices, they crave a listener.
So I'll listen -- but not forever. I'll listen for exactly as long as it takes for me to hear the anxiety and reframe it ( "I'm worried that I'm no good, but in fact, past experience has shown this not to be true. The more writing I do, the better I'll get, so I'm going to write that next sentence now ...").
Or, if it's one of those fears masquerading as something terribly urgent (like "Wow, my computer screen is really dusty. I should really clean it first"), then I'll write it down on a to-do- list for later. If it's truly something that needs doing, I can refer to the list later and perform the task. If it's not, then no harm done: I wrote it down and got it out of my head, and now the decks are cleared for the writing I'm there to do.
Generally I keep these lists on pieces of recycled scrap paper, just jotting down the thought as it occurs to me and moving forward. Here are some items I hastily scrawled on just such a piece of paper while I was working on finalizing the first draft of the 30-page article I finished last week:
In fact, they're all tasks I wanted to accomplish -- just not at the cost of my writing. Using the approach of a keeping a to-do list as I wrote, I was able to stay focused, finish the article, and complete the tasks that drifted into my mind.
Everything -- the writing and the tasks -- got done.
Today's task? A one-day spit-and-polish session with the draft of this article: cutting, wordsmithing, standardizing citations, and doing a few global search-and-replace edits.
Then -- no matter what shape it's in -- I'm firing it off to my colleague for her to take a look at.
My goal is to have this out the door by end of day on Friday. I think that's doable, given the other obligations of this week. The journal I have my eye on requires blind submission, three hard copies, and it's also going to get a well-crafted cover letter because I think that helped my last article: it was one of only 5% of submitted pieces that got accepted by its ultimate home.
I'd rather play today -- or rather prepare for my upcoming trip to Munich and Salzburg (about which I'll blog soon, as it's ultimately writing- and work-related).
But that will have to wait until tomorrow.
Update on my recent book order about which I was so pleased:
"Hello from Amazon.com.
James Tully "The Crimes of Charlotte Bronte"
Though we had expected to be able to send this item to you, we've since found that it is not available from any of our sources at this time. We realize this is disappointing news to hear, and we apologize for the inconvenience we have caused you.
We have cancelled this unavailable item from your order."
Time to hit up one of the alternate sellers linked to Amazon. I've already tried my library system, and it's useless.
Thanks to the Brontë Blog, which is the single best online resource for aficionados of all things Brontë, I've discovered three Brontë-related pieces of contemporary fiction -- by three different authors -- which I've ordered from Amazon. (Amazon is the site from which I've grabbed the descriptions below). Regardless of reviews or quality, I try to read all such works because, like so many girls, I imprinted on the Brontës when I was an adolescent:
Click on the links below for more information:
Though poor, plain, and unconnected, Charlotte Bronte possesses a deeply passionate side which she reveals only in her writings—creating Jane Eyre and other novels that stand among literature's most beloved works. Living a secluded life in the wilds of Yorkshire with her sisters Emily and Anne, their drug-addicted brother, and an eccentric father who is going blind, Charlotte Bronte dreams of a real love story as fiery as the ones she creates.
But it is in the pages of her diary where Charlotte exposes her deepest feelings and desires—and the truth about her life, its triumphs and shattering disappointments, her family, the inspiration behind her work, her scandalous secret passion for the man she can never have . . . and her intense, dramatic relationship with the man she comes to love, the enigmatic Arthur Bell Nicholls.
"Who is this man who has dared to ask for my hand? Why is my father so dead set against him? Why are half the residents of Haworth determined to lynch him—or shoot him?"
From Syrie James, the acclaimed, bestselling author of The Lost Memoirs of Jane Austen, comes a powerfully compelling, intensely researched literary feat that blends historical fact and fiction to explore the passionate heart and unquiet soul of Charlotte Bronte. It is Charlotte's story, just as she might have written it herself.
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