I've done three items on my to-do list: I returned a professional call (yesterday), and today I read and commented on a student M.A. thesis and emailed said student with feedback and directions.
Is that enough to turn my brain to mush? Apparently.
And so I'm settling down for the evening with a light read recommended by Elaine on her blog Random Jottings of a Book and Opera Lover called Facing the Light. It arrived in the mail a few days ago, and on the strength of Elaine's post about Adèle Geras, I've also ordered Hester's Story. Its arrival is imminent.
As summer wanes, I'm nearing the end of my window of recreational reading, which is a sad, sad thing. (Kind of ironic, too, as a college professor. You'd think that'd be all I do!) Time to get in that reading for pleasure while I can.
During the semester about all I have the energy for is formulaic category romances. I'm not knocking them, mind you -- but as they have limited challenges, they have limited rewards and pleasure. In that sense, they're kind of like run-of-the-mill TV sitcoms. Or pedestrian genre films. On the other hand, the better ones among them, and the better authors, sometimes stand out. In my day I suppose I've read literally thousands of these things.
(A friend from college shakes her head and laughs a bit incredulously -- "You have a Ph.D. and yet you read this stuff." Yup, I do. One has nothing to do with the other. I've said it before and I'll say it again: having a Ph.D. is no proof of brains, and reading romances is no proof of stupidity. Not by a long shot. In either case.)
From Wikipedia:
Category romances are short (usually no more than 200 pages).[15]
The books are published in clearly delineated categories, with a
certain number of books published in each category every month. In many
cases, the books are labelled sequentially numbered within a category.[1]
These novels have widespread distribution--often worldwide--but a
finite print run, remaining on a bookseller's shelves until they are
sold out or until the next month's titles are released and take their
place.[14] Writers for the largest publisher of category romance, Harlequin/Mills & Boon, can find their novels translated into twenty-six languages and sold in over 100 international markets.[16]
Category romances are further divided among different lines, which
have a distinct identity, and may share similar settings, time periods,
levels of sensuality, or types of conflict. Publishers of category
romances usually issue guidelines to authors for each line, specifying
the elements necessary for a novel to be included in each line.[17][18]
Depending on the current market and current reader preferences,
publishers frequently begin new lines or end existing ones. Most
recently, erotic and Christian lines have been introduced while
traditional Regency romance lines have ended.[19]
The publishing house Harlequin Enterprises Ltd, conventionally shortened to Harlequin, along with its British arm Mills and Boon,
is best-known for publishing romantic fiction. As of 2007, Harlequin is
the largest publisher of category romance, releasing 500 titles each
month in 25 different languages, representing every major market in the
world.
Other publishers, including Avalon and Avon
are also releasing category romance novels, usually several dozen per
month. Some publishers of Regency romances and ethnic romances also
publish in monthly series.[20]
I remember when I first stumbled upon Harlequin romances as an adolescent. I'd joined a mail order book club run by Harlequin, not realizing what it was. The first volume (in a dark blue faux leather cover with gilt embossing -- I thought it was beautiful) arrived in the mail and contained three short romances. I didn't realize until the end of the third that, by definition, they'd have happy endings.
By then I was hooked, as one might be on Oreo cookies or chips.
As I say, they definitely have their place, and in my life it's usually at the end of a very long day when my brain is tired and I want pure comfort reading. That's when I turn to category romance or children's fiction. (Come to think of it, it's also when I'd turn to food. And in my youth, there was a really strong emotional connection for me between reading and eating. I can still recall my favorite books as a child and what I ate as I read well-loved portions of them. Ahem. Issues. I Have Issues.)
I suppose I'm too vain to list the category romances that I've read this year in my right-hand sidebar. And it seems pointless to bother: because each title has such a short shelf life, as described above, they come and go and usually can be tracked down only in second-hand bookstores specializing in genre fiction.
Which is definitely the way to go when buying in bulk. Or by the yard. I've been known to sweep into such a store, take a basket, head to the area that contains the specific category I like and buy 10-20 at a time, going simply by author or title. In general, I keep them in a heap in a basket by my comfy chair in the living room and reach for them only when I don't have the energy to read whatever I've got going on my side table.
As I say, it's rather like keeping a stash of chips and cookies -- for the mind.
Like every other reader of category romances, I've thought of trying to write one. Er, 1) it's harder than it looks to write anything formulaic well; 2) I'd have to publish under a pseudonym, preferably after I get tenure. It's all very well and good to write about those who read such fiction (consider Janice A. Radway's Reading the Romance: Women, Patriarchy, and Popular Culture, for one), but in the academic universe it's not okay to do it or write it oneself.
Or at least, to admit to it. ;)
Recent Comments